Tag Archives: Sculpture

Digital Art from Adam Martinakis

April 24th, 2013 | Robot

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“The Headache”

150×150 cm – Printed on metallic pearl glossy photo paper, mounted on dibond.

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“Love for Light”

120×70 cm – Printed on metallic pearl glossy photo paper, mounted on dibond.

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“The Point of No Return”

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“Accept and Deny”

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“Fragmented Identity”

150×150 cm -Printed on metallic pearl glossy photo paper, mounted on dibond.

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“The Inevitability of Time / Despair”

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“The City Men”

65×100 cm – Printed on metallic pearl glossy photo paper, mounted on dibond.

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“The Power Game”

Adam Martinakis is the Polish/Greek artist who created these slightly frightening digital illustrations.   Almost all of his work has a sort of futuristic tension, or uneasiness, that I can’t seem to shake.
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 A real chill permeates through all of the pieces.
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I particularly like ‘The Headache.”  I’m sure if you have ever had a migraine, you might be able to relate…  I think it would be great if one of these could be made into a real sculpture because a show of his work in a museum would be quite the experience.

Adam currently lives and teaches art in Connock, UK.
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 For more of his work, check out his site.

-RSB

“Escape Into Reality” from Michael Trpák

April 1st, 2013 | Brain

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“Escape into Reality” is a Painting/Sculpture from Czech artist, Michael Trpák. It is made of cement, wood, and acrylic paint.  In the description of his work, Michael tackles 2 of the biggest questions in the art world: What is Art & Why does Art Matter?  I’ll let you read it for yourself:

“Escape into reality is a combination of a painting, a relief and a sculpture, it outlines a transition between real and virtual world, between 2d and 3d form, between sensed and tangible … Art tries to be new and discovering, so is an artist a scientist or an inventor? Modern art is a conceptual one and it can seldom defend itself, so does it make an artist a rhetorician or a philosopher? If art needs a form to convey an idea, should an artist be a skillful craftsman? If art is supposed to be digital, is an artist due to be an expert on information technologies? Is an artist a diplomat or a strategist who can present nothing like something and make the viewers believe in it? Who actually is still an artist and who is not? As long as an artist can be all and exercise anything, why everybody is not an artist? Will any object become a piece of art being exhibited in a gallery and will a person who places an object in a gallery become an artist? What is then the purpose of art? – To convey an idea or draw attention by means of a special, ingenious or more sophisticated form to things around us? Or should art be made use of as an aesthetical supplement and is more likely to be the design? If art is supposed to be another form of communication, does it need any commentary? Or – is art something what is useless and that´s why there are galleries to make it usable? As it is difficult to find a boundary between real and virtual, it is impossible to limit the art. I don´t know what a painting thinks about itself if it does think anything at all, nor I know if form is important for art. Supposing there is no form, energy, which can be turned into form, remains ……… Boundaries don´t exist……………”

To me, art is simply creativity, and in this broad sense, art is in all of us.  While I don’t identify everyone as an “artist,” I believe we all have the capacity to make art.  As Greek philosopher Aristophanes said in the 4th century B.C., “Let each man exercise the art he knows…”  But how do you determine if art is “good”?  Of course that is open to interpretation, but I personally appreciate art for its ability to inspire and make us think in a novel and exciting way, just as Michael Trpák has accomplished here.

Find more from the artist here.

-RSB

[via Juxtapoz]

Balloon Tank from Hans Hemmert

March 24th, 2013 | Robot

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I recently stumbled across this sculpture made back in 2007 by Hans Hemmert, a Berlin-based artist. It is called “German Panther.”  In time, the balloons slowly deflated into nothingness, and apparently, local children were allowed to destroy the remnants. I assume this was, in some way, a political statement…

It would have been quite interesting to see the movement of the balloons in person.  The tank was originally shown at the Staedtische Galerie in Germany, but unfortunately, this piece will only live on in cyberspace.

Hemmert also made this interesting balloon church, maybe in reference to the fragility of organized religion? Or the absurdity of it?

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Find more from Hans Hemmert here.

-RSB

Robot Buddha from Wang Zi Won

March 22nd, 2013 | Robot

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Wang Zi Won from Seoul, Korea envisions a future when humans and robots merge into cyborgs. I tend to agree with him, and I discussed my thoughts on the issue early last year.  The work above represents a spiritual role in our Cyborg future.  Shin Seung-Ho (via Colossal) discussed the artist’s philosophy here:

“The artist considers it important to escape from human bondage in order to achieve harmony between men and machines. He thinks this harmony can be achieved through the process of religious practices and spiritual enlightenment. In Buddhism, the Bodhisattva of Compassion helps people attain enlightenment, Arhat is a spiritual practitioner of asceticism, and Buddha is a being who reaches the highest level of enlightenment. Through them, the artist intends to follow the path of enlightenment, breaking away from anxiety, agony, and pain. The artist has no intention to emphasize religious connotations through these Buddhist icons but to reflect his own or our own existence between utopia and dystopia.”

I’m curious to see the role religion takes in our future. Organized religion, at least, seems to be slowly disappearing in favor of philosophy and logic, but as long as the greatest questions remain unanswered, I think it will always play a part.

Here’s a video showing some of the art in action:

-RSB

Pencil Sculptures from Dalton Ghetti

February 22nd, 2013 | Robot

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Elvis Pencil

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Dalton Ghetti is a Brazilian carpenter who sharpens a lot of pencils in his free time.  He began his quest to sculpt tiny objects back in 1986 a few years after coming to America.
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 His plan was to bring attention to the small things in life.

The pencils are all recycled from the streets and sidewalks of his neighborhood.

Here’s how he does it:

 “To create his sculpture, he holds the pencil in his hand under a strong light source (table lamp or sunlight) and carves it mostly with a sewing needle and a very sharp, triangular, small, metal blade. He works at very small intervals: 1 to 2 hours maximum per day whenever he gets inspired. He works very slowly by removing specks of graphite at a time.
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It therefore takes months or sometimes years to complete a sculpture.
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You can find more of his work and buy prints from his website.

-RSB

[via Juxtapoz]

Balancing Rocks from Michael Grab

January 13th, 2013 | Space

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Michael Grab is responsible for these alien-like organic sculptures made only from balancing rocks. You won’t find any hidden adhesive like tape or glue keeping these structures in order.
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 It is simply the force of gravity at work.

This must certainly be a labor of love because to imagine the sheer number of failures it took to get these just right is maddening.

Here is Michael discussing one such experience:

“So much care and attention must be paid to the overall balance the entire time. If not observed carefully, one small rock can bring down the massive blob of rocks. I had it happen at the end of an attempted blob…the one that would have been done before this one. LEARNING EXPERIENCE. So I took the lesson and applied it to this particular blob. This one actually rocked in the wind and scared the hell out of me a few times.

My body closely tuned with the feeling of the blob. There’s a point of feeling when I KNEW it would collapse without me. Instant adrenaline.”

At this point, you may be asking yourself how these feats are possible.  Well, Michael says:

“The most fundamental element of balancing in a physical sense is finding some kind of ‘tripod’ for the rock to stand on. Every rock is covered in a variety of tiny to large indentations that can act as a tripod for the rock to stand upright, or in most orientations you can think of with other rocks. By paying close attention to the feeling of the rocks, you will start to feel even the smallest clicks as the notches of the rocks in contact are moving over one another.”

And here’s a video demonstrating his the craft:

The force is strong with this one.

-RSB

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