Tag Archives: Sculpture

Supertrees of Singapore

October 9th, 2012 | Robot

Supertrees

Singapore is a thriving metropolitan city commonly known as the “Gateway between the East and West.”  Since the 1990s, the government has been devoted to promoting the Arts and Culture, and also a Green way of life.  As a result, The Garden by the Bay, a 250-acre park that houses the amazing Supertrees project, was constructed on the waterfront next to the Marina Reservoir.

Supertrees

Supertrees

The giant solar-powered Supertrees finally opened up to the public this past June, 2012.  There are 18 in total, and the really cool thing about them is that they actually generate electricity with solar photovoltaic systems.  And as if that wasn’t enough, they also come fully equipped with vertical garden space, air venting ducts for nearby conservatories, and collection bins for rain water.

And while they look pretty cool during the daytime, at night, they are spectacular!

Supertrees

Supertrees

Supertrees

Lee Kuan Yew, the first prime minister of the Republic of Singapore, said the project would “showcase what we can do to bring the world of plants to all Singaporeans,” adding that the gardens would become “the pride of Singapore.”  I must say that I agree with him.  This is the kind of attraction that brings tourists to a city, and the “skywalks” that connect the trees from 150-feet in the air allow visitors the opportunity to see the Supertrees up close and personal.

If you make a trip to Singapore, make sure to stop by the park at night for the light-show. Hopefully more cities will enact these kind of “green” energy projects in the future because they are amazing.

-RSB

Circuit Mandala by Leonardo Ulian

October 3rd, 2012 | Robot

Leonardo Ulian

Leonardo Ulian

Leonardo Ulian

Leonardo Ulian

Leonardo Ulian

Leonardo Ulian, from Gorizia, Italy, is responsible for this intricate Circuit Mandala.  The OCD portion of my brain really appreciates the symmetry he achieved with this piece.  I get the impression that he started with the middle microchip and just worked his way outward.  This thing is about 4ft x 4ft, so it must have taken him quite some time.  This thing really is a masterpiece… The final product appears reminiscent of a spider web.
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It’d really be fantastic if the circuit was functional…

…And I guess Leonardo Ulian addresses that here:

“With the Technological Mandala series I combined the suggestive and spiritual meaning of the Indian Mandalas with something that has been perceived as far from that sphere of influence, technology. The search of perfection as necessity within the electronics industry has stimulated my curiosity to produce this series of pieces in order to evocate that specific need. I wanted to show what has been hidden from the eyes of the consumer, representing electronic circuits as extraordinary objects where the perfection of the design can becomes almost something ethereal.
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The shapes and colors of the single components intrigued me for pure aesthetic reasons with the consequent loss of the actual functionality of the component itself. My circuits/ Mandalas do not activate lights or do other complicated function, but they simply function as stimulus to produce simple questions like: what will happen if a real electric current flows through the Circuit/Mandala?”

Unfortunately, I’m pretty sure nothing good would come out of this circuit.  However, it would be a nice artistic progression for Ulian to design an aesthetically beautiful circuit that also functions.
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-RSB

[via Colossal]

Lecture Ax by Mel Chin

September 12th, 2012 | Brain

Mel Chin is a conceptual artist from Houston, TX who created this incredible Ax from some wood, a book, wax, and pigment.  Here’s Mr. Chin describing his reason for making the Ax (it’s pretty entertaining):

“My very first lecture in New York City was in 1987 and I was nervous because it was at the New School for Social Research. I was paralyzed because I was asked to address graduate students of philosophy and psychology. I was so worried that the philosophers would know that I didn’t know what I was talking about and the psychologists would understand and dig out this buried secret of my early childhood trauma.

Being freaked, I decided to make something.
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I took a two-by-four and cut and ax handle. I took a book and cut out the ax head. I stuffed some notes in there and I sharpened it up and waxed it shut. I wrapped the whole thing in newspaper, went downstairs to the local store, bought a six-pack of Budweiser and went to the lecture. They had placed a U-shaped table in the room and everybody was smoking pipes—a bunch of guys smoking pipes. I sat down and put the newspaper down and I started drinking beer as fast as I could.

After the third beer the head of the school of philosophy said, “Mr. Chin, I think it is time to start” At that moment, being allergic to alcohol, I suddenly turned red. I had a headache and I was already edgy, so I just ripped off the newspaper, picked it up and said,” This an ax!” The head of the psychology department said, “What the fuck you gonna do, man?” I turned around and slammed the ax into the blackboard. It broke apart and the notes fluttered down. I read from the notes. I was still shaking but I was drunk; it didn’t matter.

When the guy from the school of philosophy said, “I’d like to talk a little bit about Plato’s shadows.”I said, “I don’t want to talk about no damn shadows.”He said,”That’s fine, cool, that’s cool.”

Actually, it was a very successful lecture, but the lesson it taught me is that objects are incredibly loaded. Words and human expression can do some of the work yet objects themselves are loaded with a wealth of information and power and possibilities. Even as noted in Homer, “the arrow that strikes Achilles is freighted with dark pain.
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” I call that piece Lecture Ax.”

I am amazed at how closely Chin’s Ax looks to the real thing.  I can understand why the head of the psychology department freaked out when he ripped it out.  And after reading that story,  I am officially a FAN of Mel Chin!
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For more of his work, check out his website: melchin.org

-RSB

“A book must be the axe for the frozen sea inside us.” – Franz Kafka

The Sculpture of Chris Bathgate

May 14th, 2012 | Robot

Chris Bathgate is a machinist sculptor from Baltimore, Maryland.  His work has been featured in galleries all across the U.
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S. and also in Russia.  I think it’s pretty cool that over the years, he has crafted an array of personalized tools for his sculpting: Computerized Numerical Control machines, digitally operated kilnselectroplating tanks and anodizing equipment.

From his website:

[Chris’s] body of work is a collection of intricately machined metal sculptures that represent the combination of his unique metalworking style with a traditional approach to sculpture. By combining the math and logistics used in performing the complex tasks of modern machine work with a more emotive and aesthetic problem-solving ethic, Bathgate’s work shows that it is not creativity alone that drives human imagination, but also the need to solve and overcome problems that lead to inspiration. Be it through the necessity of his process or arbitrary guidelines set by the artist himself, each work becomes a creative response to a series of mathematical and subjective visual parameters. The result is a precise and other worldly art object that exudes a creative logic all its own.

His works are all meticulously planned out to the point where even the design sheets have a certain hyper-technical beauty:

For more from Chris Bathgate and his design and fabrication process, take a look at his website.  There’s a lot of good stuff there.
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-RSB

Man’s Best Robot Friend – Welded Sculpture

March 12th, 2012 | Robot

 

Brian Mock, from Portland, Oregon, is responsible for these welded robot canines.  The sculptures are made from wing nuts, hinges, screws, nails, old electronics, and sheet metal which are meticulously welded into animals.
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From the artist:

“I am intrigued by the challenge of creating an entirely unique piece from an eclectic collection of discarded objects. Giving these old, common items a new and extraordinary life as one sculpture is an artistically challenging yet gratifying process.
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This type of work is also designed to be highly interactive and prompt viewers to question the reality of what they see.
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Audience reactions fuel my motivation.”

I am astounded by the elegant form he is able to achieve from the scrap metal with which he works.  They aren’t clunky at all.  Mock has been visiting scrap yards for the past 10 years to obtain the materials for his sculptures, and they can take up to 3 months to complete.

For more, visit his website.

-RSB

[via Colossal]

And he also makes guitars:

Wire Anatomy

March 11th, 2012 | Brain, Robot

Federico Carbajal is an architect from Montreal who created these anatomical pieces from galvanized wire, stainless steel and acrylic.

Federico’s description of his work:

An exploration into the boundaries of space: volume, surface and line; of the immaterial form and its perception – its structure and deconstruction. A deep look at the human body, its anatomy and the appropriation of its symbols.

With the influence of the old masters and the early works of Alexander Calder, to current digital 3D media and architectural representation, these tridimensional hybrids bring together drawing, architecture and sculpture in order to create a coherent spatial entity.
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Floating tridimensional sketches of the human body are drawn through space with different sheathes of galvanized wire mesh and are assembled and structured with architectural detail.
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Spatial sketching allows for the possibility of new representations of images in space, exploring the void and the dematerialization of volume.
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  The physical and metaphysical presence of the human body emanate through a combination of transparent planes and spatial lines.

I’m a fan of almost all interesting representations of human anatomy, and this work is no exception.  The wire heart is really great and surprisingly accurate.

Find more of his work here.

-RSB

[via Colossal]

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