Hydrolab Training, I.S.S., Yuri Gagarin Cosmonaut Training Center [GCTC], Star City, Zvyozdny gorodok, Russia, 2007.
Class Room, Arianespace, Guiana Space Center [CGS], Kourou, French Guiana, 200
“The Space Project” is an incredible series of photographs by Vincent Fournier, who hails from the little known country of Burkina Faso in West Africa. Vincent traveled around the world to capture space training facilities which were left mostly in a state of abandonment. You may have noticed that most countries seem to have shifted their interests away from manned space programs in recent years. After the lunar landing on July 20th, 1969, we just haven’t collectively wanted to exhaust the resources need to journey to Mars and beyond…
These photographs capture some of the beautifully faded glory of space programs around the world. I hope you enjoy them as much as I did.
Apollo Control Room, John F. Kennedy Space Center [NASA], Florida, U.S.A., 2011.
Ergol #4, S1B clean room, Arianespace, Guiana Space Center [CGS], Kourou, French Guiana, 2011
Space Helmet, Extravehicular Visor Assembly, John F. Kennedy Space Center [NASA], Florida, U.S.A., 2011
Mars Desert Research Station #2 [MDRS], Mars Society, San Rafael Swell, Utah, U.S.A., 2008
Mars Desert Research Station #1 [MDRS], Mars Society, San Rafael Swell, Utah, U.S.A., 2008
Plateau de Bure Observatory #3 [IRAM], Grenoble, F 78 French Alps, 2006
There are many more gems from “The Space Project” that you can find at Vincent’s website, here. I think he may be my new favorite photographer. If you are in Amsterdam before October 31st, definitely check it out.
Santiago Betancur Z is a Colombian visual artist who has done creative work for animated short films, TV commercials, and video games. These wonderful psychoactive photographs were made by placing soap bubbles against dark surfaces to generate prismatic light in the shape of spheres. Giant gas planets, Jupiter or Saturn, seem to emerge from the images.
On his website, Santiago lists directly under his name, “Art is the science of beauty,” something we can appreciate greatly here at RobotSpaceBrain.
The hidden beauty of the natural world is brought forth in laboratories around the country on a daily basis. Unfortunately, the general public usually doesn’t get the chance to see these incredible scientific images. However, Northwestern University has recently been holding a photo competition to share images “across a wide range of disciplines, including medicine, chemistry, engineering and nanotechnology.” They are truly a sight to behold.
Seen above is an image called “Nanoscale Lego Puzzle” by Radha Boya. Here’s a description of the piece:
“A thin film of gold has been deposited on a silicon mold. Each evenly spaced black dot is a groove in the silicon that has been filled by the gold. The puzzle-like shapes are made when the gold cracks and curls up. The darker shading indicates where the gold has curled in on itself. The metal tips fabricated by this method can be used in many applications, such as printing DNA chips.”
“Meltdown” – Keith Brown
“This image shows the aftermath of a case when a large voltage was applied between a thin film of gold (light blue) and silicon (dark blue), and electrons found a way through the thin insulating layer that separated them. As the current increased, the material was heated resulting in a catastrophic thermal expansion that resulted in a crater of solidified material (red).”
“Graphene Oxide” – Andrew Koltonow
“Koltonow and his colleagues study a material called graphene oxide (GO), which is only a couple of atoms thick. They can assemble thin sheets of GO into a foam that conducts electricity. The foam can be used to create electrodes for batteries, making such energy storage devices smaller and lighter.
In this image, graphene oxide sheets (purple-orange) cast shadows from light that is scattered off of GO foam (green-yellow), creating an eerie effect.”
“Colorful Directions” – Mark McClendon
“Imagine simply injecting healthy human cells into the body to repair damaged muscle tissue. This might one day be possible if scientists, like McClendon, can find a way to keep these cells organized at the point of injury until healing is complete. One solution might be placing the cells in a nanofiber gel, which can then be injected directly into the human body. The cells growing in the gel will eventually respond to their surroundings by stretching and migrating in the same direction as the nanofibers.
Shown in this image is a blob of nanofiber gel with encapsulated cells from a human heart. The color is a result of the alignment of nanofibers making up the gel, with each color corresponding to a cluster of nanofibers aligned one direction.”
“Black Ghost Knifefish” – Oscar Curet
“The black ghost knifefish, found in the Amazon Basin, can move rapidly and in many directions due to an elongated ﬁn on its belly that runs nearly the entire length of the ﬁsh. Curet and his colleagues used a robotic replica of the knifefish to study this motion, which could prove useful when applied to the design of underwater vehicles like submarines.
This image maps the motion of the robotic fish as it moves in a vertical direction. The lines represent the path of the fluid motion and the color represents the velocity, where blue is slow and yellow is fast.”
The mysteries of science can be illuminated with a well-captured photo or illustration. I’m glad Northwestern is sharing some of this wonder with the general public.
Check out this beautiful panoramic photograph by Kelly Richardson, which features fiery missiles or vessels leaving planet Earth. The landscape for the piece was shot in West Texas during Kelly’s artist residency at Artpace in San Antonio. From the artist’s site:
“Drawing from the aesthetics of sci-fi films and dystopian stories, Orion Tide presents a Roswell-esque desert with spurts of light and smoke repeatedly taking off into the dark night sky. As a part of CONTACT festival 2013, Orion Tide rests somewhere in the territory between science fiction and biblical wraths. By uniting the cataclysmic commonalities that both worlds share, Richardson created an apocalyptically sublime space in which all ideals dissolve and a universal transition is made for whatever may come next.”
I think the only thing I that could improve the work would be to animate the rockets into an endless loop. It’s an intriguing piece nonetheless.
Edit (8/10/2014): The artist informed me that the the videos are animated as seamless loops. Very cool!
Here’s a video of Kelly describing her work, if you’d like to learn more.
“I cautiously hiked through a restricted area of the park with a fellow United States Geological Survey geologist with a camera, tripod, and respirator to filter hazardous gasses.”
The rest is history. By adding himself to the landscape, Andrew gave the volcano a truly awe-inspiring perspective.
Do not try to attempt this at home. In fact, the Crater Rim Drive from Jaggar Museum to the Chain of Craters Road junction is currently closed due to elevated levels of sulfur dioxide gas and the subsequent eruption from a new vent in Halema‘uma‘u Crater.
Today is the birthday of the American portrait photographer, Irving Penn. He would have been 97 years old, but unfortunately, the legend passed away back in 2009. Penn photographed a range of topics, but was mostly known for his still life and portrait work. When discussing his predilection for animal skulls, he described them as “an exquisite edifice of living machine. Hard chambers of bone to guard soft organs, protected conduits and channels.”
Penn mainly used minimalist backdrops, preferring the focus to lie on his subjects. In one series titled, “Small Trades,” he featured workers in uniform with their tools of the trade (seen above). The photo style was achieved by using high speed roll film, to get a particularly grainy effect.
Irving Penn was surely a master at his craft. Take some time to visit some more of his work at The Getty Museum.