“Horde” is a new short film by the Brutus Collective, a group of 4 talented artists: Thibaud Clergue, Aurelien Duhayon, Sebastien Iglesias and Camille Perrin. The story is succinct and engaging, and the animation is top-notch. I particularly liked the implementation of reduced frames to animate the faces, while the clothing maintained a higher, more fluid frame rate. It is certainly pro-level work.
The motorcycle fight was heavily inspired by one of the best moments in the history of animation, Akira’s biker gang scene. If you have any interest in animation, I suggest checking it out. They held their own with this new rendition.
Check out this beautiful panoramic photograph by Kelly Richardson, which features fiery missiles or vessels leaving planet Earth. The landscape for the piece was shot in West Texas during Kelly’s artist residency at Artpace in San Antonio. From the artist’s site:
“Drawing from the aesthetics of sci-fi films and dystopian stories, Orion Tide presents a Roswell-esque desert with spurts of light and smoke repeatedly taking off into the dark night sky. As a part of CONTACT festival 2013, Orion Tide rests somewhere in the territory between science fiction and biblical wraths. By uniting the cataclysmic commonalities that both worlds share, Richardson created an apocalyptically sublime space in which all ideals dissolve and a universal transition is made for whatever may come next.”
I think the only thing I that could improve the work would be to animate the rockets into an endless loop. It’s an intriguing piece nonetheless.
Edit (8/10/2014): The artist informed me that the the videos are animated as seamless loops. Very cool!
Here’s a video of Kelly describing her work, if you’d like to learn more.
Swiss artist Beni Bischoff created these intriguing automobile images by digitally altering photographs of classic cars. The resulting hovercrafts walk a beautiful line between retro and futuristic design… Maybe these concept cars will become the very first models of a new era of hovering transportation.
This vision of the future may not be so terribly far off… Toyota surprisingly announced that they may be planning to build a hovercraft in the near future. Though I doubt it will look as cool as these cars, it’s exciting nonetheless.
The rest of Beni Bischoff’s work is a bit different. It includes sculpture, painting, and other (more disturbing :)) digital manipulations. Check it out here.
“I cautiously hiked through a restricted area of the park with a fellow United States Geological Survey geologist with a camera, tripod, and respirator to filter hazardous gasses.”
The rest is history. By adding himself to the landscape, Andrew gave the volcano a truly awe-inspiring perspective.
Do not try to attempt this at home. In fact, the Crater Rim Drive from Jaggar Museum to the Chain of Craters Road junction is currently closed due to elevated levels of sulfur dioxide gas and the subsequent eruption from a new vent in Halema‘uma‘u Crater.
One of the most interesting findings to emerge from this data set is that the oldest geological region of Mars (~4 billion years, brown color region) is 3 times larger than originally suspected. In addition, the data backs up recent research which demonstrates that Mars was a geologically active planet until recently. But what does the word “recently” really mean in terms of planetary science? Well, many scientists believe that Mars was last active approximately 10 million years ago, which was before the common ancestor of the chimpanzee and the human split (~6 million years ago). But that’s still just a small time period for the history of the planet.
The reason we care about geological activity is that active planets are believed to provide richly chaotic environments necessary for life to develop. Gaining a better understanding of Mars will give us a clearer picture of what to expect elsewhere in the Universe.
For a more detailed view at the map above, please visit the USGS site.
Mattias Adolfsson is a Swedish artist who created these incredibly detailed pen & ink sketches of surrealist architecture, machines, animals, and spacecraft. The illustrations are so intricate that I often find myself staring at them for long periods of time and discovering new details each time I look. I have a feeling each piece probably takes several days of back-breaking concentration to complete.
Most of the drawings are stand-alone pieces of art, but he has completed work for The New York Times, Work style Magazine, Amtrak, and Wired.
Mattias has a LARGE collection of work, just type his name into google, and you’ll see the whole gamut (or just check his website).
Also, you can find a cool book of some of his illustrations which are printed onto Moleskin HERE.